Until you drive down to the jungles of Puna where the nightly chorus becomes thunderous. Deafening, almost.
The coqui frog was a stowaway to Hawai‘i from Puerto Rico some ten(?) years ago, and the rainy east side of the Big Island has proved to be the ideal habitat for this tiny water-loving creature. And so they have flourished.
In Puerto Rico the coqui are much beloved. But here in Hawai‘i the inhabitants are furious that the coqui’s song is rapidly drowning out that of the birds, as well as anything else one might otherwise hear at night. So the government has declared out-and-out war against the little frog.
Only the males sing, but they go all night long—and sometimes in the daytime too, if it’s been raining. Here’s a short video I took in my back yard, in which you can see the waxing moon peeking through the clouds, and hear the coqui’s song:
There are some locals who want to preserve the coqui. (See here, for example.) And many, even if they don’t like them, have thrown up their hands in despair. I have to agree that it seems unlikely that the attempts to eradicate the coqui from the Islands will prove successful. After all, how do you seek out and destroy—at night, in the rain—hundreds of thousands of quarter-size frogs nestled in the depths of banana and ginger leaves, spread over hundreds of square miles of tropical jungle?
The evening Laura and I sat outside listening to the coqui, we were laughing about one particular frog that always hangs out in the roof of the garage and has a particularly loud song. Laura—an accomplished jazz singer with a great ear for pitch—cocked her head a moment, and then remarked: “He’s singing a minor seventh.” (She then produced her iPod, onto which she had downloaded a keyboard app, and added: “The first note is an F#.”)
That got us listening more closely to the rising, two-pitch song. “They’re not all a minor seventh,” Laura observed. “Some get almost all the way to an octave.”
“I wonder if the intervals have anything to do with how sexy they are to the females,” I said. “Some only make it to a major sixth; maybe they’re the juveniles.”
But most of the coqui songs seemed pretty darn close to a minor seventh. I looked on line to see if there was anything about the pitches that the coqui sing, but the only reference I found was a poem that includes the lines:
Somewhere a coquí
Coquís its minor 7th
We listened a little while longer, sipping our drinks, and then I said: “Hey, the minor seventh is the ‘There’s a Place’ interval.” (Chorus singers are all taught that you can recognize different intervals by matching them to famous songs. The first two notes of “My Bonnie Lies Over the Ocean,” for instance, is a major sixth. See here for a list of them.)
Laura and I both laughed at this fact. As you may know, “There’s a Place For Us” is from West Side Story, which concerns Puerto Ricans now living in New York City. So maybe the coqui, who are also from Puerto Rico, are hoping there’s a place for them here in Hawai‘i.
Last night we listened to the frogs again. “I wonder if they have perfect pitch—if they always start their song on an F#,” Laura wondered aloud. So I took out my laptop and played the little movie (above) while the coqui sang outside.
Yep. Exactly the same—all started on perfect F sharps. And once again, almost all were singing minor sevenths. Quite the musicians.
I’d say there is indeed a place for you here, Señor Coquí.


